Over the years he had also used his leisure time on many hands-on projects which involved using different materials, building up experience and a lot of expertise along the way. He had no doubt that he would be able to undertake many other projects to fill the increased time available to him in retirement. However, despite enjoying microlight flying and satisfying though this was, Alan was quietly looking for something more physically comfortable and challenging enough to develop his flying skills to another level.
In 1989, out of the blue, his brother Ron, had bought a two-seat Piel CP-30 Emeraude as an insurance write-off, a project that required major repairs if it was to become airworthy once again. Ron asked Alan if he felt confident enough to undertake the work, pretty much knowing that Alan had the skills that would be required.
Whilst Alan was confident that he had the time available and the necessary skills and seeing the project as a worthwhile challenge, he had to ensure that he had sufficient space to carry out the repairs. He therefore increased the size of his garage and equipped it as his workshop. The aircraft, when stripped down and taken into the new workshop, was found to require a complete new spar and wing, together with major fuselage repairs.
Alan with the new Emeraude wing
The D.150 fuselage taking shape ......

...... and the finished item.
After much thought and considering various options he decided, in late 1992, on building a Jodel D.150 Mascaret. This aeroplane is a traditional timber construction and fabric design and is a robust aircraft, often considered to be the “Rolls Royce” of two-seaters, with the distinctive “bent wing” that is typical of Jodel design. Accordingly, Alan sent for a set of plans from the Société des Avions Jodel of Beaune in France.
The plans are of course denoted in French and use metric measurements, some of which had to be converted to Imperial, since the only place he could obtain parts was in America. So when they arrived, it became not only necessary for Alan to work in metric scale, but also to learn sufficient of the French language to understand the specification and the complexities involved in construction.
Finding the correct timber for the airframe was made somewhat easier by living close to Hull, where many of the major timber importers are based.
Hours and hours were devoted to the project and it became more a labour of love than a hobby, completely taking over Alan’s life. He spent many hours in his workshop, with time completely suspended, whilst he studied the plans, pondered over problems, worked on parts and components, fitted various equipment and strived to complete the aircraft. He reckons his best assistant during the whole project was a one-inch roll of masking tape, which acted as a third hand transplant.
As the aircraft became more complete, Alan had to extend the workshop again to facilitate construction and to store completed parts. As he said at the time, it had become “a bit like making a shoe in a shoe box”. His inspector throughout the project was Chris Turner from Breighton. After around 8,000 hours during four-and-a-half years of effort, it was ready to fly and Alistair Newall took it up for the first time in May 1996.

Alan with the Wilkinson Sword and the Epinal Trophy


